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In her hometown of Windsor, Ont., soul had to be imported across the border. "Quincy always jokes with me about my morn going over and getting chitlins in Detroit," Ta-mia says. She was raised on Motown and gospel: "I was always singing, in the kitchen, in the bed -- it got so bad my brothers would complain." "You Put a Move" has a slinky, nightclub feel, but Tamia wants to get playful. "I love slow jams--they're my favorite," she says. "But I want to do something funky. I'm still 19 and can be real silly sometimes. Just ask my brothers." Give her time--she'll prove it on her own.

KEVIN MAHOGANY

The Real Deal

THINK OF SINGER KEVIN MAhogany as a saxophone. Specifically, a baritone sax. He's a barrel-chested horn player without the horn. Mahogany studied sax until his mid-20s, when chasing Kansas City club gigs became a career, with office temping to fill out the rent. Mahogany tried singing, and the warm response soon persuaded him to put the horn down. Covering R&B tunes won him a local following. But since he returned to jazz four years ago, his fluid improvisations have made him the stand-out jazz vocalist of his generation. Mahogany, 37, is just as much of a musician as the other members of his topnotch bands. A Warner Brothers release this year would probably have secured his national reputation even if Robert Alt-man hadn't east him in his forthcoming film "Kansas City." Playing Big Joe Turner, Mahogany holds his own with some of the best young horn players of the day--Joshua Redman, James Carter and Craig Handy among them. The setting is one of the celebrated all-night jam sessions of the city's bust-out Prohibition era under Boss Pendergast. It's a perfect fit for a Kansas City traditionalist who never left home.

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