If latinos made Compton a "better" place then how come Mexico is a raging cesspool of violence, corruption, depravity and joblessness. Simply put, since Mexicans have arrived in Connecticut property values have dropped, graffiti is everywhere, and now our road kill is not only opossums and raccoons but chickens and roosters have been added to the mix. The social services departments are strained to the brink for these "hard-working denizens" that use welfare like a retirement plan. But to make Compton "better" could mean SOMEBODY actually GOT A JOB.
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Straight Into Compton
How the country's murder capital got its groove back.
Mar 24, 2009
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For nearly a decade, the entrance to the city of Compton, Calif., just off the 91 Freeway, was a huge, vacant lot, overgrown by weeds. Surrounded by an eight-foot steel gate, the once-bustling auto dealership had become a haven for the homeless; a place where people dumped trash, loitered, caused trouble. Lampposts that once illuminated new cars and sale signs stood darkened, some tagged with gang graffiti. It was prime real estate—except that, well, it wasn't. (Article continued below...)
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By the 1990s, the mere mention of the name Compton had become so toxic that the nearby southern California suburbs had the city of 100,000 erased from their maps. Its schools were crumbling. Drugs were rampant, and street-gang tensions had escalated into what historian Josh Sides describes as "a brutal guerilla war." The city became the U.S. murder capital, per capita, surpassing Washington with one homicide for every 1,000 residents—and the details were numbing. In 1989, a 2-year-old was gunned down in a drive-by as he wandered his front yard; a 16-year-old was shot with a semiautomatic weapon as he rode his bike. The image of Compton as a defiantly violent ghetto was crystallized by the rap group N.W.A., whose 1988 album, "Straight Outta Compton," went multiplatinum, even though it was banned by many radio stations; the record even attracted the attention of the FBI, which felt the group was inciting violence with its song, "F--- tha Police."
NATION
Inside the Real Compton
The city today bears little resemblance to the violence-plagued neighborhoods of rap songs and Hollywood movies.
Two decades later, Compton has a new lease on life. The community is still poor, and unemployment is more than twice the national average. But the number of homicides is at a 25-year low, slashed in half from 2005. There are fewer gunshots and more places for kids to go after school. Alongside the liquor stores and check-cashing stands are signs of middle-class aspiration: a T.G.I. Fridays, an outbreak of Starbucks and a natural-food store. Along the way, blacks became a minority in Compton, which is 60 percent Latino today.
The change, say community members, is palpable. Residents walk dogs; they go out at night. Graduation rates are higher, and a recent canvassing effort counted more than 25 nonprofits targeted specifically toward youth, where a decade ago, there were few to none.
And that vacant lot off the freeway? Thanks in part to Compton's designation as an enterprise zone in 2006, it's been replaced by a $65 million suburban strip mall, whose palm trees and flower beds give it a look more reminiscent of Orange County than South Central. "Compton is a fundamentally different place," says Stanford University historian Albert Camarillo, a Compton native who is working on an oral history of his hometown. "It's one of these communities that's really in the throes of change."
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