Daniel Lyons

Don’t ‘iTune’ Us

It's geeks versus writers. Guess who's winning.

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  • Posted By: sk3ptic @ 08/15/2009 10:31:14 AM

    Mr. Lyons seems to be very unhappy with this whole Internet thing. In another post he challenges websites to start charging for their content, that free can't be a business model. Here we have someone essentially doing that and he complains that the writers should get more that 30%. Perhaps he would be kind enough to tell us what exactly he does think is a good idea?

    And by the way, is Mr. Lyons paid more than 30% of the cover price of Newsweek?

  • Posted By: Journey12 @ 06/22/2009 10:12:29 AM

    Generally speaking, the geeks are not, in fact, "winning" in the way Lyons suggests. Very few geeks have the business acumen to accomplish that. In fact, it's almost certain that the real winners are the financial sharks, er, venture capitalists who put up the money for the geeks to create their technological sand castles. In return for risking their capital, the venture capitalists claim the lion's share of profits that may be made. The geek(s) coming up with the ideas in the first place typically fare decently, but not obscenely well, if the idea takes off, and the geeks they hire to actually do the implementation grunt work typically onl;y fare only somewhat better than average... few get wealthy despite the stock options and all. Funny thing, but the money holders got to be money holders because they figured out the angles that tilted the odds in their favor. Those stock options aren't much better than lottery tickets for the typical geek, but only the money barons know that...

  • Posted By: richardgeller @ 06/21/2009 8:10:46 AM

    QPORIT makes some good points. From the individual artist's standpoint the share Amazon and iTunes provides is actually better than what most publishers and record companies provide artists. But Amazon and iTunes only provide distribution??? necessary but not sufficient. So we come to what is the heart of the challenge facing any independent artist???breakthrough marketing.

    Publishers aren't effective when it comes to marketing anything new. They lose money on 90% of the new literary or commercial fiction they publish. If you're a new author, they look to you to provide the marketing plan and the demographics of your audience. Why? Simply because they have no such expertise in house. As things stand, traditional print publishers don't bring enough to the table to be viable on a long-term basis. I think they know this; there's been enough public hand-wringing about the subject lately.

    Then, we get to the journalists and critics???most of whom will only write about something if it comes to them through the door from the usual industry and publicist sources, so they mostly end up propping up the same-old-same-old. I'm not saying they're "bad guys," just that they're more often part of what's broken rather than out there looking for what's truly new and notable.

    After about two and a half-year's development, we launched http://www.aSiteAboutSomething.com a few weeks ago. In Seth Godin's marketing terminology, it's our "purple cow." Adobe thinks our AIR eReader is unique enough that they created a category just for us on their AIR marketplace. The site itself is a Flash tour de force. We've got a unique technology story, and we plan to push it as hard as we can. That being said, as an artist, what I really want is for journalists and critics to review the three novels and collection of songs that the site was built to showcase. How easy do you think that will be?


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