MOVIES

Smile! You’re on Hidden Camera

Shot entirely through the view of public surveillance cameras, a new film gives viewers a glimpse into just how public our private lives have become. What 'Look' reveals may shock you.

11/19/07: Adam Rifkin directs this film shot entirely from the perspective of surveillance cameras

 

Email To A Friend

Please fill in the following information and we'll email this link.

Separate multiple addresses with commas

SPONSORED BY
 

With more than 30 million surveillance cameras in this country, the average American is caught on tape more than 200 times a day: on the street, at the ATM, in department stores, even in public restrooms. Yet the notion that we're being watched—at all times—has yet to resonate in the public perception. Most people don't know that hidden cameras are legal in dressing rooms and bathrooms in most states, nor that workplaces can get special permission to install them without ever having to reveal their whereabouts. In some places store employees can even make reels from security cameras and post them on YouTube.

My Take
Follow your favorite NEWSWEEK columnists

Customize the Newsweek homepage to feature the latest word from your favorite columnists.

That's where "Look," the acclaimed new film by writer-director Adam Rifkin, comes in—and it's likely to shock you. Shot entirely through the point of view of security cameras (and co-produced by Barry Schuler, the former head of AOL), the film is executed in the style of actual spy-cam footage strung together but is actually a fictional tale aimed at giving viewers a glimpse of just how public our private lives have become. Its characters run the gamut: a high-school English teacher who has an affair with an underage student, a gas station clerk with high hopes for a musical career, a department store manager who uses his warehouse as a secret sex refuge. Yet all are connected by surveillance footage that, in the end, holds the key to their survival—or demise. The film took home the Grand Jury Prize at this year's Cine Vegas Film Festival and will debut in New York and Los Angeles in December. Schuler spoke with NEWSWEEK's Jessica Bennett. Excerpts:

NEWSWEEK: Describe the social context that inspired you to make this film.
Barry Schuler:
The last 10 years have brought a sort of perfect storm for what we're seeing today: wide adoption of the Internet, technological advancements that make accessing the Internet easy and a sense of paranoia that's been created by the aftermath of 9/11. We're being captured on camera nearly 200 times a day in the United States, and those images are being digitized and archived forever, with highly advanced face-recognition technology. This technology is racing forward without any attention, and nobody's stopping to ask questions about its propriety.

What should we be asking?
Is it OK to have surveillance in bathrooms and dressing rooms? And if it is, shouldn't there be some kind of disclosure that it's happening? What is slander and liability in this new world? Say I'm Vanessa Anne Hudgens. I'm a kid; I'm a celebrity. I take a fairly innocent picture in today's world, send it to my boyfriend, and the next thing I know my naked photo is being sent across the Web at light speed. Now not only am I embarrassed but my career is in jeopardy. Is that OK? Is it really fair game when someone does something they think is in privacy for it to be spattered across the media?

But how do you separate what's privacy and what's security?
It's hard to figure out what's right and what's wrong in many of these cases. But it's so easy now to set up these networks of cameras, and you can keep the data forever and ever and can find specific frames of specific people all with the click of a mouse. And that's when we need to be asking about the statute of limitations on a clickstream. How long should operators be able to keep that stuff? What laws should be required to access this stuff for anything but something criminal? If we allow cameras in New York City as a method of regulating a commuter tax, what else can that information be used for? If I happen to be cheating on my wife and get snapped in a picture with another woman, is that data going to be available to my wife if she tries to divorce me?

You did a lot of research for this film. What's the most shocking thing you learned?
In most states in this country you can walk into a department store and be recorded on video while you're undressing. Many of the monitors of those recordings are kids. Kids get goofy. They're using joysticks to follow around the hottest girls, zooming in on privates.

Label

Newsweek Top Stories
Al Gore's Climate-Change Evolution
Al Gore's Climate-Change Evolution

Using emotion to convince people to change.

Heaven Can Wait
Heaven Can Wait

A new book promises proof of eternal life.

The World's Biggest Foods
The World's Biggest Foods

Monster edibles from around America.

Discuss

Sponsored by

Member Comments

  • Posted By: pinkdate @ 01/11/2008 9:07:24 AM

    see it at http://pinkmingle.com and think it a nice job

  • Posted By: pinkdate @ 01/11/2008 9:07:24 AM

    see it at http://pinkmingle.com and think it a nice job

  • Posted By: scrndawn @ 11/20/2007 6:48:33 PM

    Saw this film at AFI and it should win an Oscar!

Reply

Report Abuse

Enter comments if any for reporting abuse

My Take

Customize the NEWSWEEK homepage
to feature your favorite columnists.

Customize Now