The Arts

Blowing in the Wind

The film adaptation of 'The Kite Runner' is a model of cross-cultural collaboration.

Phil Bray / Courtesy of Dreamworks and Kite Runner Holdings
An Afghani boy holds onto his kite in a scene from 'The Kite Runner'
 
Sponsored by
 

Email To A Friend

Please fill in the following information and we'll email this link.

Separate multiple addresses with commas

 

Khaled Hosseini's 2003 novel "The Kite Runner" introduced Western readers to an Afghanistan beyond the Soviet invasion, Osama bin Laden and U.S. military strikes. By focusing on the complicated relationship between an Afghan boy and his father, and the bond between two childhood friends in Kabul, it illuminated the humanity behind the politics and showed the world that Afghans laugh as well as cry. The book has since sold more than 8 million copies worldwide—not including millions of bootleg editions in such languages as Farsi.

This week the long-awaited screen adaptation of "The Kite Runner" opens in America; it will be released across much of the rest of the world over the next few months. The film, like the book, follows the unlikely friendship between the wealthy Pashtun boy Amir (Zekiria Ebrahimi) and his friend Hassan (Ahmad Khan Mahmoodzada), the Hazara son of the family servant. Pashtuns are Sunni and make up Afghanistan's ruling party, while the Hazara, Shia Muslims of Mongolian descent, are largely discriminated against. The two boys are inseparable until one day, following their victory in a kite-fighting tournament, Amir betrays the loyal Hassan with an act of cowardice that haunts them for the next three decades. Their story of love, remorse and atonement is set against the 1979 Soviet invasion, the Afghan diaspora and the rise of the Taliban in Kabul.

"The Kite Runner" is a moving, smart and sensitive film and a worthy tribute to the book. The kite-flying scenes are so beautifully shot they're near spiritual, while the story's emotional appeal renders cultural boundaries obsolete. Though one of the few major pictures to consider Islam and the Muslim-American experience from an insider's perspective, the film remains highly accessible, moving between the Muslim world and the West with an ease unparalleled in Hollywood.

This cross-cultural fluency likely comes from the fact that "The Kite Runner" is, in every sense, a global film. The closing credits read like a U.N. roster of delegates. Hosseini is Afghan and lives in America, director Marc Forster ("Finding Neverland") is Swiss and lives in America, and lead actor Khalid Abdalla ("United 93") is Egyptian and resides in the U.K. The film also stars noted Iranian actor Homayoun Ershadi, as well as first-timers like Ebrahimi who were plucked out of secondary schools.

Originally slated for a fall release, "The Kite Runner" was delayed because of controversy surrounding a grueling rape scene involving the child actors. Due to the scene's potential to offend, Afghan authorities and the film's studio, Paramount Vantage, pushed the release back until the boys finished school and were safely out of the country. They and their families now reside in the United Arab Emirates.

© 2007

 
Discuss
Member Comments
  • Posted By: Sinibaldi @ 01/05/2008 2:34:44 PM

    Comment: A flying and gentle sparrow.

    When the last
    lights of a sunrise
    disappear behind
    a melody I hear
    the song of
    a beautiful sparrow,
    the sound of a
    rank and the rising
    beginning now
    reflecting the pain.

    Francesco Sinibaldi

  • Posted By: Sinibaldi @ 12/29/2007 2:32:41 PM

    Comment: Prudence and the melody.

    Arbours coloured
    by a soft September
    breeze delay in
    the sunshine of a
    beautiful morning,
    and a loving
    profile presents,
    in a moment, the
    taste of a dream.

    Francesco Sinibaldi

  • Posted By: Sinibaldi @ 12/22/2007 2:33:04 PM

    Comment: The inner part.

    The inner light
    and the beautiful
    and tender narrator
    invent a mutable
    moment, when
    Christmas arrives;
    I see a blackbird
    singing the birth
    of an ancient era,
    the time of my
    life, the care and
    the reason.

    Francesco Sinibaldi

Sponsored by
 
 
The Arts

The film adaptation of 'The Kite Runner' is a model of cross-cultural collaboration.

 
 
 
The Peek
 
 
SPORTS

Luxury stadiums are on the rise. A top seat can cost $150,000. Beer costs extra.

Sponsored by
 
 
 
 
VIEWPOINT

The vast majority of Americans are dissatisfied with the direction of the country. So who are the 10 percent who think everything is A-OK?

Sponsored by
 
 
 
loadingLoading Menu