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By Newsweek Editors
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As soon as the results are final, we'll push the button on our special post-election of NEWSWEEK. The magazine will be entirely devoted to politics, with expert analysis from our teams in Washington and elsewhere. But what will make it truly unique is our behind-the-scenes look at the presidential campaign, producted by a squad of reporters who detached from other duties and spent an entire year on the road with the candidates. "At the start, it's hard to get sources to talk," says Kenneth Auchincloss, who edited the issue. "But after a while they open up." Look for our special Election Day issue on Thursday, on newsstands and in your mailbox.
A Lost Generation
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There was no single moment when Ellis Cose realized he wanted to write his cover story on America's prisons. "So many people I talked to in the civil-rights community and the neighborhoods ended up talking about prisons," says Cose, who has written about race for NEWSWEEK for the past seven years. The topic, he says, "is one of this country's most important issues.
The Widow Seuss
While reporting on the making of Dr. Seuss's "How the Grinch Stole Christmas," John Horn got to know the indomitable Audrey Geisel, the keeper of her late husband's estate. Horn reports that Geisel kept a close eye on the yuletide classic, rejecting certain jokes here, a set decoration there. "She knows more about Hollywood than some studio executives," he says.
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