Love, Death And Light

Everything I do is arduous," Sally Mann says as she coats a glass plate with collodion and ether, just the way photographers did it 150 years ago. "Why do I do that? I don't know. Not because I'm better than anyone else..." Mann has always used unwieldy large-format bellows cameras with 19th-century brass-rimmed lenses, equipment so crude that she uses her hand--the only digital thing in sight--as the shutter. A few years ago, she raised the bar when she began working with these collodion...
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