Decidedly older, definitely angrier, Harry Potter (Daniel Radcliffe) goes through his darkest days in "Harry Potter and the Order of the Phoenix." He has good reason to be both paranoid and rebellious.
The last time we saw John McClane (Bruce Willis) he was ... who can remember? It's been 12 years since "Die Hard with a Vengeance," and while the first "Die Hard" is now properly thought of as an action-movie classic, nobody's been sitting on the edge of their seats waiting for the return of New York's toughest, most put-upon detective. Would anyone care that he was back? The good news is, "Live Free or Die Hard" makes you care. Of all the overproduced sequels promising mindless summer...
A. Reese Witherspoon; B. Halle Berry; C. Julia Roberts; D. Nia Vardalos
Whatever you think of Michael Moore—and who doesn't have an opinion?—the man has an impeccable sense of timing. His newest polemic, "Sicko," takes aim at our disastrous health-care system at a moment in the national debate when even the die-hardest boosters of free enterprise acknowledge that major changes have to be made, if not the free universal health care that most Western countries offer, and that we resist.The "we," as Moore takes pains to show us, are the drug companies, the...
What "the 40-year-Old Virgin" suggested, "Knocked Up" confirms. Judd Apatow is making the freshest, most honest mainstream comedies in Hollywood. The writer-director has managed to synthesize the neurotic, outsider comedy of Woody Allen, the benign satire of Paul Mazursky and the gross-out combustibility of the Farrelly Brothers into a sweet, raunchy and loose style all his own.Apatow's favorite subject is the eternally adolescent male, in this case the reefer-smoking, videogame-playing slacker...
I knew I was in for a long night when Johnny Depp finally makes his appearance in the third—and let us pray final—installment of "Pirates of the Caribbean: At World's End." Depp, as Jack Sparrow, is residing in Davy Jones's locker—i.e., he's dead—where he is the solitary captain of a landlocked Black Pearl, and subject to hallucinations.
The easy and lazy way to describe "Away From Her" is to say that it's a movie about a woman (Julie Christie) with Alzheimer's. There's nothing factually wrong with that sentence, but it conjures up the image of a sentimental disease-of-the-week TV movie.
Superman has always been the star of "Superman," not Clark Kent. Same goes for Batman/Bruce Wayne, only a little less so. What's different about the Spider-Man series is that it's always been more about sensitive, vulnerable Peter Parker than about his superhuman alter ego.
"Hot Fuzz," directed by Edgar Wright, does for the cop action movie what "Shaun of the Dead" did for the zombie flick. It's a bigger, faster cut-and funnier-movie than its predecessor, but that's as it should be in a film that's sending up the overamped conventions of a Jerry Bruckheimer/Joel Silver-style big-budget action movie, transformed into quaint English idioms.
The young Thai director Apichatpong Weerasethakul is not exactly a household name in the U.S. But on film-festival circuits, and wherever cineastes huddle (if you can huddle on the Internet, on sites such as GreenCineDaily) his unpronounceable name is inspiring a devoted following.
Mira Nair's sprawling, engrossing saga "The Namesake," like the acclaimed Jhumpa Lahiri novel on which it's based, spans three decades and two generations, traveling from the 1970s to the present, from Calcutta to New York and back again, immersing us in the immigrant lives of the Ganguli family.
Obsession craves resolution the way a hunter craves his prey. But what happens to the obsessed when there is no resolution? David Fincher's fascinating, uncompromising "Zodiac" is about four men who became obsessed with capturing the legendary Bay Area serial killer known as the Zodiac.
Mira Nair's sprawling, engrossing saga, "The Namesake," like the acclaimed Jhumpa Lahiri novel on which it's based, spans three decades and two generations, traveling from the '70s to the present, from Calcutta to New York and back again, immersing us in the immigrant lives of the Ganguli family.